Anahi was born in Buenos Aires in the middle of summer, on February 4, 1988.
As she grew up, she discovered the circus (among other things), and life unfolded in such a way that she decided to devote much of her time and energy to training as an aerial artist.
At the age of 20, she began her career as an artist in traditional circuses before branching out into other artistic disciplines, notably theater.
And so, a few years later, she crossed the Atlantic Ocean to pursue training, driven by the desire to become a full-time aerial frame performer!
A little later, after a winding journey, Anahi arrived at the National Center for Circus Arts (CNAC) in Châlons-en-Champagne, but this time driven by her own desires, with a one-meter-diameter metal hoop as her partner.
Anahi develops a unique physical language that draws partly on contortion, using optical illusions to make the audience question the reality of the images she “draws.”
Today, Anahi is working on her solo project: she draws inspiration from other artists, certain films such as Mon oncle d’Amérique and the New Wave movement, while also borrowing from the scientific realm (Henri Laborit), to develop what will become a short performance as part of the Echappées series for the 28th graduating class of the CNAC.
To be continued…