Morgane Bonato

Morgane Bonato

Vertical rope

France

Morgane Bonato, Corde lisse, 26e promotion du Centre national des arts du cirque/CNAC de Châlons-en-Champagne
Photo Ch. Raynaud de Lage
Morgane Bonato, Corde lisse, 26e promotion du Centre national des arts du cirque/CNAC de Châlons-en-Champagne
Photo Ch. Raynaud de Lage
Morgane Bonato, Corde lisse, 26e promotion du Centre national des arts du cirque/CNAC de Châlons-en-Champagne
Photo Patricia Hardy
Morgane Bonato, Corde lisse, 26e promotion du Centre national des arts du cirque/CNAC de Châlons-en-Champagne
Photo Philippe Cibille
Morgane Bonato, Corde lisse, 26e promotion du Centre national des arts du cirque/CNAC de Châlons-en-Champagne
Photo Patricia Hardy
Morgane Bonato, Corde lisse, 26e promotion du Centre national des arts du cirque/CNAC de Châlons-en-Champagne
Photo Patricia Hardy
Morgane Bonato, Corde lisse, 26e promotion du Centre national des arts du cirque/CNAC de Châlons-en-Champagne
Photo Ch. Raynaud de Lage
Morgane Bonato, Corde lisse, 26e promotion du Centre national des arts du cirque/CNAC de Châlons-en-Champagne
Photo Ch. Raynaud de Lage
Morgane Bonato, Corde lisse, 26e promotion du Centre national des arts du cirque/CNAC de Châlons-en-Champagne
Photo Johanna Prevet
Morgane Bonato, Corde lisse, 26e promotion du Centre national des arts du cirque/CNAC de Châlons-en-Champagne
Photo Johanna Prevet

A very active and daring little girl, Morgane showed from an early age a knack for trying her hand at everything and a strong need to push her limits. It was during her early days in gymnastics that she discovered her passion for pushing herself, the joy of hard work, and, above all, the spirit of teamwork.

Bubbling with energy, immersing herself in the creative world of the circus became a necessity for her. More than just a job, she saw the circus as a way to flourish and finally give of herself.

Admitted to the National School of Circus Arts in Rosny-sous-Bois (ENACR), she chose the Korean swing as her medium of expression. As the only woman in a talented, performance-driven collective, she sought to assert herself, both through her acrobatic prowess and the feminine touch she brought to this predominantly male apparatus.

This discipline demands a great deal of teamwork, and Morgane gradually felt the desire to discover herself on her own. In her second year at ENACR, she turned to the rope to continue her personal development. And “at arm’s length,” she sought to challenge herself, express herself, and set herself a new goal: to achieve artistic fulfillment on this apparatus, which was new to her.