At the age of 13, Marin discovered circus arts at the Cité du Cirque - Pôle régional Cirque Le Mans.
This world of sharing and risk drew him toward the École nationale de cirque de Châtellerault, where he specialized in Korean cradle (bascule coréenne).
Curious about a circus without borders, his discovery of social circus in Cambodia and Nepal, working with street children, reinforced his humanistic convictions within this art form.
He continued his training at the École nationale des arts du cirque de Rosny-sous-Bois, and then at the Centre national des arts du cirque, as a base flyer in a duo with María Jesús Penjean Puig.
A lover of music since the age of five, he now draws inspiration from musical creation and sound research. Passionate about multidisciplinary approaches and the hybridization of artistic forms, his only limits are those of his own “soft madness.”
His artistic work is rooted in a constant re-questioning of the historical foundations and codes of acrobatic partnering.
Centre National des Arts du Cirque