Victoria takes her first steps in circus arts at the Le Salto school in Alès, a recreational circus school where a teacher introduces her to a passion for balance in all its forms.
Her desire for a nomadic life in a caravan aligns perfectly with her decision to become a circus artist. She begins her training in the circus program of the lycée in Châtellerault, where she chooses the slack wire as her main discipline—an apparatus that allows her to combine the stability of tightwire walking with more fluid, less “academic” movement.
After completing her baccalaureate, she joins the preparatory year at the ENACR. There, she meets Laurent Barboux, who becomes her teacher for two years and helps her build strong technical foundations.
In 2018, Victoria enters the Centre national des arts du cirque, with the aim of bringing together everything she has learned in her personal creative work.
She explores movement around the wire, seeking to erase the classical image of the tightrope walker standing still on the line. For her, the wire is a true stage partner that must be brought to life through continuous dialogue. To do so, she draws inspiration from acrobatics, Chinese pole, and aerial hoop. She also gives great importance to the ground in her work, seeking to create links between wire and earth, and to move on the rope as she would on the floor.
Still passionate about hand balancing, she continues this complementary exploration alongside her wire practice.
In parallel with her technical work, she has the opportunity to collaborate with choreographer-directors such as Pierre Rigal, as well as circus artists like Gilles Cailleau, who lead her into different artistic universes and collective creation processes.
Alongside circus, Victoria is also drawn to poetry and enjoys making objects out of odds and ends.