Pablo was born on March 3, 1993 in Estación Central, Santiago, Chile.
From a very young age, he was passionate about drawing, reading, and martial arts. Pablo lived in a continuous back-and-forth between the mountains and the city—a duality that eventually evolved into a journey between anthropology and circus arts.
During his five-year university studies, he specialized in the anthropology of body studies and cultural policy management. He developed this academic path in parallel with his circus ambitions, training independently in several aerial disciplines such as silks, rope, trapeze, straps, and aerial frame (as a base) in various circus spaces around Santiago.
Mainly interested in circus as an artistic field, he also approached social circus and its connections with civic engagement, social sciences, and studies on corporality. This interest led him to travel across South America, developing artistic intervention projects and building the foundations of his artistic and theoretical concerns.
In 2015, he first met his cousin, a graduate student at the École supérieure des arts du cirque, Manuel Martinez, who trained him for two years in rope and encouraged him to seek artistic paths elsewhere. Motivated as well by his university professor Menara Guizardi (anthropologist and former classical dancer), he decided to change his trajectory.
After university, his direction became clearer: arts and the body became his priority. In 2017, he crossed the ocean to train at the Centre national des arts du cirque in the 31st graduating class. Constantly drawn to verticality and suspension, Pablo explores the possibilities of movement in rope, a vertical practice that leads him toward the sensation of vertigo he finds in his short rope.
In parallel, he also explores aerial straps as a secondary discipline, focusing on dynamic movement and the looping of energy from one gesture to amplify the next.
The Centre national des arts du cirque is where he meets Fernando Arevalo Casado, with whom he begins developing joint projects: the company K.O. (Knot Out), working as a duo on rope.
He also collaborates with Hector Diaz Mallea, Maël Thierry, and Marica Marinoni to form the collective CMR (Charge Maximale de Rupture), all members of the CNAC 31st promotion.