A “child of the stage,” she grows up traveling between touring big tops and performances by Les Arts Sauts and Le P’tit Cirk. When the time comes, she chooses to follow this path and enter artistic life.
In 2015, she joins the circus program at the École Nationale de Cirque in Châtellerault, where she specializes as a flyer on the aerial frame.
In 2018, she enters the Centre national des arts du cirque as a fixed trapeze artist, with the idea of combining flying trapeze, fixed trapeze, and swinging trapeze techniques—on a small scale. To do so, she uses an inflatable track (Airtrack) as a safety mat. This device allows her to connect trapeze work with the ground, playing with the impulses created by this 10-meter-long bouncing surface.
A research process emerges around acrobatic movement using rebound and air from this equipment. It brings a very grounded, earth-bound quality to an aerial discipline. This setup allows her to rediscover, in solo practice, the sensations usually experienced in duo or group aerial work. She refers to this approach as “not-so-fixed trapeze.”
In her second year at CNAC, she meets Gilles Cailleau during the revival of the show Fournaise. It becomes an experience she is drawn to, combining big-top rigging, collective life, and music. This project also gives her the opportunity to perform singing on stage—something she wishes to develop further in the future.